Best Canon Lens for Video
Over the years, we rented and purchased so many different Best Canon Lens for Video and came to the conclusion that the choice of the Best Canon Lens for Video depends entirely on what you shoot. Sometimes you can shoot all the material even on one lens because you like what picture it gives. But you have to understand that it’s just not fair to other lenses! They look good. You just need to know when to use them.
Not only do we have our favourite Best Canon Lens for Video, but we are also still looking for new ways of their non-standard use. We want to review some of the Best Canon Lens for Video with you. And more importantly, tell you about the types of shooting for which they fit best.
Best Canon Lens for Video – Different Options
24-105mm f4L IS
This Best Canon Lens for Video is excellent for capturing traffic.
24-105 has an excellent full focal length and image stabilizer. When do we use it? Well, Steadicam or a slider is not always practical. We use it if we try to capture footage from the car, in the aeroplane, and any other situations where traffic is a priority.
14mm f2.8L Rectilinear
When we use the Steadicam, the slider or the tap – the camera always has a 14mm lens. Since the Best Canon Lens for Video has such a wide viewing angle, it looks fantastic. We like this lens because distortions still seem very pleasant to the eyes.
Why do we choose this Best Canon Lens for Video, not 70-200mm f2.8?
It is true that they are similar. The 135mm has a very short minimum focusing distance (just 3 feet!), And this Best Canon Lens for Video gives a stunning look. The blurred background looks extraordinarily beautiful.
That’s why we appreciate 135mm.
Besides, it is much smaller and more compact than the 70-200mm.
Extender 1.4 x II
We love diversity. One of our favourite ways to get beautiful shots is to use this converter! This “baby” will allow you to get a lot more variety of the lenses that you already have.
We especially like to use it with 70-200mm f2.8 or 135mm. You immediately notice the difference multiplying the focal length by 1.4 times.
100-400mm f4.5-5.6L IS
This Best Canon Lens for Video is a push-pull lens, which means you can zoom in and out, and also focus on just one hand.
Why is it so awesome?
A push-pull lens allows you to hold one hand with a monopod and the other to work with the lens and this will give you a much more stable image. This lens also works well with the 1.4x converter and has a vast range of focal lengths. With this lens, you can move from medium plans to super large quickly and smoothly, so it’s great for dynamic scenes, such as sports.
How to choose the Best Canon Lens for Video
In the old days, we all filmed video cameras and did not even think about changing lenses. Today we switched to DSLR, and there was just a bunch of questions about different lenses and their characteristics. I’ll talk about how to choose lenses for video shooting.
Initially, they did not design the cameras for video, so you will not find a department called “Lenses for video shooting” in any store. Let’s review some essential characteristics.
Fixes are lenses with a fixed focal length (it is impossible to zoom in and out). Such lenses capture a better picture. The disadvantage is that they are fixes, and instead of one universal lens you need several. Or you have to run up and run away from the subject all the time to shoot frames of different sizes. Owning fixes is noble, but expensive.
Zoom lenses have the possibility of zoom or approximation. A zoom lens can replace the capabilities of several fixed lenses. Nevertheless, the picture quality is worse. When shooting reports, everything can change in seconds. So zoom video lenses are just indispensable.
The focal length measured in millimetres If there is one digit, then this is fixed (For example, 24mm), and if there is a range of numbers, it is a zoom lens (for example, 17-50mm). The smaller the digit, the wider the angle of image capture.
Aperture is a value that shows how well the lens passes light. The f / (number) notation is aperture. The smaller the number, the more light passes the lens. Lenses that allow a lot of light are called high-aperture.
Light is everything in photography. Shooting with a high-speed lens allows you to blur the background more strongly.
Zoom lenses come with a constant (For example, f / 1.4) and a variable (For instance, f / 3.5-5.6) aperture. If photography is not a critical value has for video is very important to use lenses with constant luminosity throughout a range of focal lengths. Otherwise, if you change the focal length (approach), your picture will darken.
For video shooting, it is better to use lenses with stabilization. They are more expensive and consume the battery faster but stabilize the picture. Although this point is not critical when choosing a lens, if you have the money, buy a lens with stabilization.
I never gave enough attention to the lenses until the first time I changed the lens that came with the camera to a more expensive lens. Only then, I saw what my camera could do. Is it better to have a fancy camera and a cheap lens or a cheap camera and an expensive lens? Be not surprised that most times could be better a cheap camera with an expensive lens. Well-chosen lenses for video shooting can completely change the quality of your videos.
Check Tamron 17-50mm f / 2.8 and Helios 44/2 50mm f / 1.8.